![]() ![]() ![]() To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. ![]() We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. Since then, Sony has cast the A-mount system aside and worked on growing its mirrorless E-mount system instead, which has made Sony one of the most successful full frame camera manufacturers today. In addition, the wonderfully soft bokeh opens up completely new dimensions in isolating persons from the background.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. Then in 2013, the first two full frame mirrorless cameras arrived: the A7 and the A7R. Your results will be much more satisfying and your scrap will be reduced to a minimum. The picture happens, you focus, and the lens focuses where it should focus. In combination with the lens, the strength of the focus system clearly comes into effect here because together, they manage to capture this very fraction of a second. That’s why I chose the combination of Sony a7 III and SIGMA 85mm F1.4 DG HSM | Art. Emotions are spontaneous and within fractions of a second, the moment, this one moment that, when looking at the picture, makes tears spring to your eyes … this moment is gone if your equipment isn’t working perfectly and isn’t very well tuned. A gust of wind then made sure that the hair in Sophie’s face blew and I shot the photo…īeing a passionate portrait photographer, I want to capture emotions. The weather was excellent (low sun) and I asked Sophie to “integrate” into the hedge in order to amplify the effect and make it more harmonious. The idea was to take a few pictures with the hedge to get some depth into the picture. This is Sophie at the end of our shooting day. ![]() This allowed me to reliably use this lens for vlogging, even in the low evening light. The autofocus of this lens was fast and accurate, in both photo and video modes shooting on the Sony a7 III. And since it’s an Art lens, as with all the other Art lenses I’ve tried and owned, it’s incredibly sharp even wide open at f1.4, so while the foreground and background lost focus, my subject never did. With the SIGMA 24mm F1.4 DG HSM | Art, I was able to get that wide angle of view that really shows off the subject’s surroundings, while shortening that depth of field enough to render the background and foreground out of focus, like I wanted. To start with, I don’t want everything to be sharp and that’s often the biggest hurdle with wide angle lenses, since the depth of field gets very deep very quickly, leaving very little bokeh to separate subject from foreground and background. When it comes to urban photography and shooting portraits in the streets, I like to show as much of the surrounding architecture and movement as possible. ![]()
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